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Madeleine Kelly Artist

All Images © Madeleine Kelly 2018.

Heavy Heavenly Bodies, 2008.

Heavy Heavenly Bodies, 2008. The works in Heavy Heavenly Bodies suggest liminal encounters through blurred or...

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Heavy Heavenly Bodies.
  • Madeleine Kelly - Man's Place In The World
  • Madeleine Kelly - The Comb of an Electron Shower
  • Madeleine Kelly - The World as I Know It
  • Madeleine Kelly - Victory Over the Sun
  • Madeleine Kelly - Consumption
  • Madeleine Kelly - Icarus as Manager
  • Madeleine Kelly - The Boy
  • Madeleine Kelly - West End Grasshoppers
  • Madeleine Kelly - Treatment for Hysteria II
  • Madeleine Kelly - Non-Sense
  • Madeleine Kelly - Heavy Heavenly Bodies Installation View
  • Madeleine Kelly - What Begins Aloud
  • Madeleine Kelly - Fallout
  • Madeleine Kelly - Amona

Heavy Heavenly Bodies, 2008.

The works in Heavy Heavenly Bodies suggest liminal encounters through blurred or hidden identities of forms, where many figures are forsaken but for ghosts. A family processes food under the image of the Doomsday Clock, a lone Jewish settler challenges Israeli security officers at the settlement of Amona (the painting is based on documentary photographer Oded Balilty’s Pulitzer Prize-winning image), and a line of women dressed in national flags reflect current international alliances.